Occasional Encounter with an Elephant

2013/08/25

《偶然遇见大象》 12B铅笔,帆布
《Occasional Encounter with an Elephant》 12B Pencil, Canvas

Elephant01 Elephant06 Elephant05 Elephant04 Elephant03 Elephant02

这是一次回归之作,是对《三年展》系列的一次缅怀和祭奠。
对我而言,创作《三年展》系列的三年已然远去,但它和现在的我依然有割舍不断的联系。
我始终认为即兴创作是线体艺术的最直观最具趣味的形式,里面包藏着偶然和必然之间非常微妙的美。

2012年夏天拍摄<我的三十而立>的片子,摄影师吉米需要抓拍几组深夜灯下画画的特写,于是根据他镜头的指引,我无知无觉地画了数条横竖线。
在微距镜头下笔头摩擦在帆布细密的纹理上真的很美,拍完后吉米不无遗憾的感叹说可惜了这一张刚绷好的画布,我安慰他说:“当然不能浪费,我会把它画完的,虽然现在它看来是在奇怪的地方画了个更奇怪的十字,但是我会保留这些痕迹继续画完它”。

因为我不爱用橡皮的好习惯,这才偶然的遇见了这只大象。

你能找得见这几根最初的横竖线吗?

This was a reflective work, a nostalgic work recalling my “Triennial” collection.
For me, although the three years I spent creating the “Triennial” collection have passed, I still have an unbreakable relationship with it.
I always believed that improvisation is the most direct and interesting form of line art and it hides subtle beauty in chance and intention.

In summer 2012 I filmed the film “Thirty Years Old” and the camera operator Jimmy needed to film some close-ups of me drawing late at night. So according to the guidance of his lens, I unintentionally drew many horizontal and vertical lines.
Through the lens, the tip of the pen rubbed against the fine texture of the canvas. After filming, Jimmy said it was a pity to waste this newly stretched canvas. I comforted him by saying, “Of course I will not waste it. I will finish it, although it looks like a strange cross drawn at a strange place, but I will keep these traces and continue drawing it”.

Because I do not like using erasers, I encountered this elephant by chance.

Can you find the first horizontal and vertical lines?

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